In 2015 the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, where the painter sat for over 40 years making his still lifes. Using only the warm natural light in the room, he photographed Morandi’s objects. In the photographs, each object sits on Morandi’s table, which still bears the marks the painter drew to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. A book of the photographs was published Damiani this year.
Friday, 5 August 2016
Joel Meyerowitz's photographs of Morandi's objects
In 2015 the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, where the painter sat for over 40 years making his still lifes. Using only the warm natural light in the room, he photographed Morandi’s objects. In the photographs, each object sits on Morandi’s table, which still bears the marks the painter drew to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. A book of the photographs was published Damiani this year.
Friday, 29 April 2016
David Hockney - The Yosemite Suite
Hockney's iPad drawing on show at Pace gallery in New York from 28th of April until June the 18th.
Untitled No.9 from The Yosemite Suite, iPad drawing printed on paper (94cm x 71.1cm). |
Untitled No.4 from The Yosemite Suite, iPad drawing printed on paper (94cm x 71.1cm). |
Untitled No.8 from The Yosemite Suite, iPad drawing printed on paper (94cm x 71.1cm). |
Thursday, 14 April 2016
Olafur Eliasson watercolours
Olafur Eliasson, Left brain movie, 2010, watercolor and pencil on paper |
Olafur Eliasson, Orange to yellow and nine yellow movie, 2010, watercolor and pencil on paper |
Olafur Eliasson, Twilight studies, 2011, watercolor and pencil on paper |
Olafur Eliasson, Mind in life colour test I, 2012, watercolor and pencil on paper |
Olafur Eliasson, Orange to blue, 2011, watercolor and pencil on paper |
Friday, 15 January 2016
Friday, 23 October 2015
Andrea Galvani - The End [Action #1]
A nice project from the artist Andrea Galvani on display in New York earlier this year.
'The End [Action #1], an Art in General New Commission, is a homage to the heliocentric model of our solar system championed by Galileo Galilei, father of modern cosmology. Over the course of months, Andrea Galvani coordinated with local cameramen to film the sunrise along the eastern coastlines of five different Central American countries. On January 8th, the anniversary of Galileo’s death in 1642, the event was filmed in over 30 different locations simultaneously. Discrepancies between atmospheric conditions, the sensitivity of 16mm film technology, and the movements of each individual manifest as a prism of time and space. The architecture of The End [Action #1] was conceived as an ephemeral monument — pedestals of light designed to be used by seven vocalists whose voices activate and enliven the space at different times throughout the exhibition.'
Here are some stills form the films and some shots of the installation....
'The End [Action #1], an Art in General New Commission, is a homage to the heliocentric model of our solar system championed by Galileo Galilei, father of modern cosmology. Over the course of months, Andrea Galvani coordinated with local cameramen to film the sunrise along the eastern coastlines of five different Central American countries. On January 8th, the anniversary of Galileo’s death in 1642, the event was filmed in over 30 different locations simultaneously. Discrepancies between atmospheric conditions, the sensitivity of 16mm film technology, and the movements of each individual manifest as a prism of time and space. The architecture of The End [Action #1] was conceived as an ephemeral monument — pedestals of light designed to be used by seven vocalists whose voices activate and enliven the space at different times throughout the exhibition.'
Here are some stills form the films and some shots of the installation....
Wednesday, 23 September 2015
Friday, 14 August 2015
'Mineo' by Julian Mährlein
A nice project by Julian Mährlein set in a small mountain village in Sicily called Mineo. Mineo is home to Europe's largest asylum seekers centre CARA. Here 3200 refugees from Sudan, Nigeria, Eritrea, Gambia, Liberia, Afghanistan, Syria, Pakistan and elsewhere wait for up to 2 years for permission to enter the EU.
Julian has taken a series of portraits and incidentals in the area surrounding the camp.
Julian has taken a series of portraits and incidentals in the area surrounding the camp.
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